Blue Flower

 

Alphorn-playing as “blown yodeling“?

 

 

Raymond AmmannYannick WeyAndrea Kammermann

Alpine Vibes

The Musical Connection between the Alphorn and Yodeling – Fact or Ideology?

Translated by Gary Martin

Broschur

  1. 224 Seiten, 85 Abbildungen s/w.

ISBN 978-3-0340-1743-5

CHF 38.00 / EUR 38.00 

Open Access

Website: https://www.chronos-verlag.ch/node/28647

Direct link to the PDF: https://www.chronos-verlag.ch/public-download/3958

DOI: https://doi.org/10.33057/chronos.1743

Summary

Alphorn playing and yodeling are an integral part of traditional cultural events in Switzerland. Questions about musical contexts inevitably arise. Is alphorn-­playing to be understood as “blown yodeling”? Did the natural tone series of the alphorn influence yodeling? Are both rooted in the centuries-old Kuhreihen, the songs herdsmen used to lure the cows for milking?
The team of authors explores possible links between yodeling and alphorn music and analyzes evidence pointing to a common origin of the two musical practices. The study area originates from Switzerland and extends over the south of Germany and Austria. Music-aesthetic connections are discussed, historical and current arguments weighed. In the Austrian Wurzhorner yodels, the name already indicates a connection to the instrument, and in the Muota­tal “Bücheljuuz”, the yodel imitates the sound of the instrument so skillfully that the difference between voice and instrument is hardly noticed.
However, not all types of yodeling have a musical relationship to the alphorn, and alphorn music is not always connected with yodeling. The study shows that there has been a tangible, albeit unsteady, musical interrelationship between alphorn and yodel for around 200 years.

 

 

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